I used to go to bed every night thinking ' Tomorrow, I'm going to write the tune, tomorrow is going to be the day,' but nothing ever happened. My studio is crammed with equipment, but I ended up feeling I was being overcome by it all-it was just too much. Īlthough the production process started in 1998, Howlett disliked the sound of the new album he initially took a break in 2000, in order to "go out with my mates and get drunk." He returned to Essex in 2001 to resume work on the record, but after 6 songs were written, he hired producer Neil Maclellan to the frustration of Howlett himself, moving to a house after four months and then returning to the original studio:
The prodigy always outnumbered never outgunned pro#
Moet Mastered, Damian Taylor, and Emily Lazar mastered the album via Pro Tools on the same computer.
Unlike their predecessors, which featured contributions from the entire band, with Keith Flint only appearing on the group's third album at the time, Liam Howlett recorded the album mostly by himself in similar vein to Experience (1992), using the Propellerhead Reason program installed in his Macintosh laptop. Pre-production was done at Mews Recording Studios, while recording began on September 1998 and ended on April 2004. Because the single was a non-album single, in 2008, the band's official website's discography classified it as an EP. Eventually, the group went through another direction, and the plan to include the song on the album was cancelled. The single was intended to be released as a single from the then-upcoming album. Despite the apparently low popularity, the song reached the Top 5 position of the Canadian Singles Chart and UK Singles Chart. Liam Howlett has since disowned the song.
Generating controversy upon release for the lyrics by Keith Flint, which heavily focused on the misuse of the drug rohypnol, the song was met with mostly negative reviews from critics. The single released in that year, and one of the songs intended to be featured on the album was " Baby's Got a Temper". The website was relaunched prior to releasing a new single in 2002. To coincide with the departure of Leeroy Thornhill during the period, the band shut down their official website for over two years, with its home page replaced with a logo of the band and the text "We will be back" set against a black background, leading to rumors that the band went on hiatus. The band ended the tour that promoted the album, taking a break from touring and recording and writing material for their fourth studio album. In 1996, The Prodigy rose to fame with " Firestarter", the lead single from The Fat of the Land, which was released in 1997 and topped several charts, including the Billboard 200. The album's singles, with the exception of " Girls", failed to reach the Top 40, and the album received mixed reviews upon debut some critics praising it, many others criticizing it for being "a failed departure from the band's previous albums". Record labels who distributed Always Outnumbered, Never Outgunned dropped The Prodigy after the release of Their Law: The Singles 1990–2005 one year later. The album title is a play on the name of the Walter Mosely novel Always Outnumbered, Always Outgunned.ĭespite achieving commercial success upon release, the album is among the band's lowest-sellers. Recorded almost entirely using the Propellerhead Reason program, with the mastering being done on Pro Tools, the album contrasts with their previous releases, and features a larger use of vocals than the group's third album, The Fat of the Land (1997). It was the last album from the band to be distributed under the labels. The album was released in the United Kingdom on 23 August 2004 under XL Recordings, and in North America on 15 September 2004 by Mute Records and Maverick Records. Singles from Always Outnumbered, Never OutgunnedĪlways Outnumbered, Never Outgunned is the fourth studio album by English electronic dance music group The Prodigy.
For the Japanese voice actor, see Takeshi Aono.